Friday, June 14, 2013

Barrie Burr of Australia, Heraldic Artist.

The Coat of Arms and Badges of
Barrie Burr of Australia
I have a good friend who lives in Australia by the name of Barrie Burr. He is one of the forerunners to a new wave in Heraldry. I have watched Mr. Burr's work progress over the past several years, from something that was a bit stiff, to a new lively sense of captured motion and color.

Heraldry in whatever form it takes is a modern interpretation of a time when it was important to be seen across a battlefield, and for those who could not read or write, to be able at a glance recognize a particular person.


There are those today who, practice heraldry in its original forms. They use vellum, shell gold, and custom made paints from pigments which they have hand ground, and mixed. It is an exacting art form, which is oftentimes passed down from one master to another. I think those who practice this form of Heraldry have always been few in numbers. However in today's world, there seems to be an ever increasing demand for heraldry and or heraldic based art.




So what does a person do who has a desire to create Heraldic art but not the years either available or the desire to spend years in an Art School? They teach themselves. Barrie Burr has done just that. There is an entire world of Clip Art Heraldry out there. Most of it not good, but it is improving, and some artists are really taking it to the next level. Then there are quite literally the Legions of Heralds who represent the SCA world, and they use both hand painted work and electronic generated work. So the demand is there, and to that end; the Modern Medieval world is very much alive and kicking when it comes to Heraldry. To explore this growing world of digital heraldic art, I sat down with my friend Barrie Burr and had a short conversation...
The Coat of Arms and Badges of
Peter Latta of Australia

Q:Where is the Burr family name from?

A:From all of the research that I have done, “Burr” seems to be difficult to establish from where the name originates. Some say it’s from Anglo-Saxon times meaning “one from the fort or castle” Others suggest the name is even older than that. So who knows for sure! Due to different languages spoken, words meaning the same thing were possibly (more likely) to have been pronounced differently and so when spelling the word, it could/would take on different appearances. My particular line/s of Burr all predominately came from Bedfordshire for the past 300 hundred years with one notable coming from Lincolnshire. Either way, Burr is very common in the UK.

Q:What age where you when you fell in love with Heraldry?

A:Being an Englishman, I had always been aware of Heraldry.....having grown up around Woburn Abbey, the seat of the Dukes of Bedford. It was not until 1987 that my interest started to grow in it when I purchased my “family coat of arms” from a bucket shop in Belfast. I then started asking questions of my mother about our family history. She wrote down what information that she could and gave me certain documents to keep. Those documents are now within the family members in the UK. Then suddenly, in 1999, I was given an old computer to play with and I started messing about with shapes to create what resembled a coat of arms. Have been doing it ever since.

The Coat of Arms, and Badges of
Travis Smith of the USA
Q:Today there is a strong sense of "Branding" with business' and personalities. What is your take on it, in regards to Modern Heraldry?

A:As heraldry is long established and represents some sort of “legitimacy” or sense of “belonging”, perhaps a business that comes up with a “heraldic” style of company logo is trying to say “look at me”, as if to say that “I am established, I come from good stock and I want to be here for some time”. That says a lot about the strength of heraldry and its continued use in the world today.

Q:Do you think your years of involvement with the International and British Racing have given you a different perspective on Heraldry.
The Coat of Arms of Brian Jeffs
Of the USA


A:Both are very colorful, and very similar in that jousting/tournaments and motor racing are noisy and spectacular to watch. Well established civic Coats of Arms are also used to adorn modern day race driver’s helmets to show where they are from. If any thing, Heraldry has given me a different perspective of how the color scheme works on a race car, and does that design work in getting the sponsors name or logo “out there”. I have seen some really bad color schemes and logos on race cars....like dark red lettering on dark blue background


Q:Is it fun, creating art for yourself and your friends?

A:I find it very rewarding to sit down to do a coat of arms for some one weather I designed the arms or not, with the end result being my work is appreciated and liked. Not always the case though. But that’s life.

XIV Century Style, Funerary Effigy
David Baker of
The USA.
Heraldic Badge by Barrie Burr


Norman Kite Shield of the Arms of DS Baker
of the USA.

Barrie Burr can currently be reached at:
barrie.burr.9@facebook.com


Sunday, May 12, 2013

Matthew Bayley Portrait in Excellence.




(c) Billy Mark Clutterbuck 




One of the wonderful things about the internet is, you can develop relationships with people you have never actually met in person. A little bit of self disclosure here, I met my wife, and mother of my daughter 13 years ago on the internet before there was such things as on-line dating services. With that being said, I have known of Matthew Bayley for quite some time, and it has been my honor and pleasure to be his friend.

I met him like I have met some many fine folks, through a friend of a friend association on Facebook. That was at least five years ago. I am and have always been a fan of his efforts. Whether it is Armour, Belts, Buckles, Purses or Castings, each of his pieces has shown a finished quality that a great deal of artisans around the world never attain. Matthew's world is undergoing a bit of a change in location at the moment, and I was very grateful that he was able to spare some time and speak with me. Here is our interview:





(c) Matt Black Armour


Q: Who is Matthew Bayley?

A: I’m an Armourer and Bronzesmith from England. I was born and live in the city of Worcester, as a city it is steeped in history and the county itself is full of medieval buildings and churches and museums. I grew up with two artistic parents who both encouraged me to indulge my interests so from a very young age I was drawing, painting and model making. By seven years old I was casting metal soldiers in the shed and by my early teens was even helping my dad build historic furniture.

(c) Pat Patrick


Q: How old were you when you realized that being a "knight" or Man-at-Arms, was no longer a childhood obsession?


A: It took me a while to get there, I had always loved knights in armour of course and I used to see medieval tournament groups on TV when I was small (this was in the days of bucket helms and string mail) and thought i’d love to do it, I filled my sketch pad with drawings of knights but never imagined that I might be doing the same thing some day.

When I was 11 a work colleague of my mother was involved in English Civil War re-enactment and so I was taken by my parents to watch, I was naturally hooked and started shortly after. It took a while but by the time I was 20 I’d joined a medieval group as a simple foot soldier and the medieval era became my favorite period!

Q: You went to a design school. What was the name of that school and what was the first medieval anything you designed during that time period.

A: I attended two art colleges, the first was the Art and design center of Worcester College of Technology where I studied 3D design. I benefited from two good tutors while I was there: Mike Blundell who often despaired of my historical craft leanings but was encouraging never the less, and Chris Lisney who was a part time tutor but most importantly he was also a blacksmith!

It was in his forge that I made my first and only sword, a small Falchion. Shortly after with the help of my dad and some bellows from some reenactment friends I had built my first living history forge!

By the time I was studying for my degree at Hereford I had to concentrate on artistic ironwork so my historical work was mostly put to one side, but I still snuck the occasional project into the workshops there and continued doing historic forge work in my spare time.
(c) Christine Pearn



 Q: I have seen bits and pieces of Armour that you have made. Have you made a complete harness-a complete Cap-a-Pie Harness?

A:To this day I have still not made a full harness, for some years I made armour part time, as my main income was from a company making armours in resin for the film industry and live role play this meant I was just taking on small projects on the side.

I am now working on recreating the armour of Robert Lord Hungerford for a client here in England, It’s a challenging project and we’re incorporating details from a few other English sources as the client wanted to see if some unusual armour features actually work, we’re taking a bit of a risk but I like that.



Armour Pictures 
(c) Matt Black Armour

Q: From what I have seen you are or were heavily involved in the War of the Roses Reenactment Community in England.-Do they keep you motivated to create new work?

A: I’m still involved in Wars of the Roses reenactment and enjoy a battle sometimes, I've also fought in tournaments which are certainly more physically demanding than a battle.

(c) Pat Patrick



I think my real motivation has to be firstly from my clients who give me some good challenges with the projects they bring and secondly seeing other armourers work. There are so many armourers across the world producing great work and this is a spur to push my work to new heights.
(c) Stephen Moss Photography


Q: Tell us about the entire range of work that you produce.

A: I've been running Matt Black Armour for about 5 years full time now, I had the intention of producing simple munitions armour for reenactors and found myself being approached by Jousters and people wanting some pretty exacting details so I find myself taking on a limited number of projects each year that allow me to concentrate on details. I now have a client for whom I am making a Cuirass in medium carbon steel, with a velvet covering and gilded fittings, I know it will look gorgeous when done but I know I’ll be too scared to watch it being used.

Cloth Covered Breastplate.
(c) Matt Black Armour



Back in early 2011 my Dad and I created Bayley Heritage Castings, a small foundry reproducing historical costume accessories, originally we were just going to make fittings but it expanded into crafting complete belts, and even some casting in precious metals. I offer a plating service for our products too so we've made gilt bronze jewelery and high status girdles, in fact my partner Vicky has her own company Aquerna Fabricae and working with her we have produced fabric covered girdles using gilded fittings and mounts.


I was accused by one of my black smithing tutors of being a closet silversmith, I guess he just saw something that I didn't at the time!
Gilt Bronze Rings by Bayley Heritage Castings
(c) Bayley Heritage Castings

Gold and Peridot Ring by Bayley Heritage Castings
(c) Bayley Heritage Castings




Boar Badges For Richard III Supporters
Gold, Silver, and Bronze by Bayley Heritage Castings.
(c) Bayley Heritage Castings.

Q:Have you ever had a desire to Joust.

A: I would love to joust, I've had a few riding lessons in the past and ridden some horses used for jousting, I thoroughly enjoy just being around horses. Unfortunately with my work and other commitments I really couldn't devote the time and money required to bring my horsemanship up to scratch but I can still dream.

Q: Where do you expect be with your business in the future?

A: I've found being an Armourer full time to be a struggle, especially when no two jobs are the same, you learn as you go and sometimes it’s a hard lesson but I've found a good balance.

I think I can safely say that the castings business has changed things dramatically, It started small but brings in plenty of work alongside my armouring. If and when I move into other periods though I know I’m going to need an extra pair of hands to keep up!

* Editorial note: It should be annotated that Matthew Bayley and his fiancee' Vicky Binns have entered into a commercial partnership. Binns is the owner/operator of Aquerna Fabricae. She makes Dresses, Girdles, Purses, Belts, and Hats. The following photographs demonstrate how both of their remarkable talents have blended seamlessly together.



Clothing, and armour pictured were created by these two talented people.


The Girdle/Belts were made by Aquerna Fabricae with the metal parts being cast by Bayley Heritage Casting.





Belts by Aquerna Fabricae and Bayley Heritage Castings.
(c) Aquerna Fabricae & Bayley Heritage Castings.

(c) Aquerna Fabricae


(c) Aquerna Fabricae
"A commissioned gown in black on black damask with black faux fur collar and sleeve cuffs. Green damask under gown, front laced kirtle (visible lacing), silk neckerchief and headdress created by myself (Vicky Binns). Wide red leather girdle with hand cast bronze buckle, chape, grommets and studs hand crafted by Bayley Heritage Castings. Custom bronze ring frame purse, with black linen and silk pile velvet, decorated with hand made cotton Turk head tassels and a glass beaded drawstring opening was hand crafted by both Aquerna Fabricae and Bayley Heritage Castings in collaboration."

Q: Tell us something about you, that you think no one would suspect...

A: Some people who know me via social networking may be aware that I like to find time to spend in the kitchen, I love to bake cakes be it a big layered sponge or my Tennessee whiskey chocolate brownies.
I also love to make sushi, I've met people who've been on courses and ask how I do it! There’s something so cool about a neatly done Uramaki (inside out sushi roll) especially if it’s filled with Tempura Prawn or Katsu Chicken.





(c) Matthew Bayley


(c) Matthew Bayley


I would like to thank Matthew Bayley and Vicky Binns for their patience whilst waiting for this interview to come out. Thank you both for your willingness to give of your time, and to so generously share your efforts.

Matthew Bayley's Associated Web Sites:

Matt Black Armour

https://www.facebook.com/mattblackarmour?fref=ts

http://bayleyheritagecastings.co.uk/

Vicky Binns:

http://aquerna-fabricae.moonfruit.com/

https://www.facebook.com/Aquerna.Fabricae


Monday, April 22, 2013

Taking a little break.

Due to life and circumstances, I will be placing Modern Medievalist on hold for a bit. I have some personal issues that need to be addressed. Hopefully this won't be as long as a break as the last one.

Thank you for your consideration.

DS Baker

Wednesday, March 27, 2013

Caroline LaBrie, Canadian Jouster.


Several years ago I had the pleasure of meeting Caroline LaBrie. She is one of many Women Jousters that I wished to interview. As sometimes happens, we lost contact with each other, and then remarkably thanks to Facebook, were able to once again make a connection. I have not as of this writing profiled a woman who jousted.-Not for a lack of knowledge of Women Jousters, just the time and the person hadn't yet arrived.

Well that person and that moment have arrived. As you will see in the photographs with this article, Caroline LaBrie is always smiling. Every once in a while we come across a person, who has a genuine sense of Joie de Vivre.-An exultation of spirit, a happiness to be alive. For me it is a real pleasure to introduce her here in my blog. She is also a shinning example of what I call the Modern Medievalist scene that is rapidly gaining 
prominence in Canada. As another put it to me, "Canada doesn't have a medieval tradition, like Europe. But we have a very strong set of European medieval ancestors.-So the traditions, seem to come readily to hand."At any rate, I think Caroline's words and her photographs should tell their own story...enjoy!

(c) Claude Charbonneau

Q: When did you decide you wanted to Joust?

A: In 2000- when I join a group of medievalist who were performing in a show

much like medieval times. I was recruited as a squire then and started slowly working my way up!

(c) Catherine Morin-Michaud

Q: How long have you been riding?

A: I've loved horses for as long as I can remember, I was riding as a child / adolescent in location center but I began to learn more seriously in 2000 when joining the troupe.


(c) Pascal Ratthe

Q:When did you start actually Jousting?

A:In 2005, when my horse was fully trained and ready…so as myself!


Q: Who made your very unique looking armour?

A: Benoit Desjardins from l’Armurerie du Dragon. He was referring on a drawing made by Steve R Gagnon, artistic director and International jouster.


Caroline breaking lances with Damien Martel.
@ The Joust Médiévale internationales de Lachute 
September 2012.

Q: What has been the most surprising thing you have discovered since you began?

A: The bond between men and horses. Gaining their trust, their respect, it is a beautiful partnership and this will always be an amazing thing for me, a gift.


Caroline with her best Equine Friend and Partner for six years "Nemrod."
(c) Jean Francois-Rivard.


Q: What has been the hardest thing for you to learn how to do?

A: I am left handed, when I started doing the games and eventually, the joust, I always had to train a bit more than my partners to gain accuracy. Another challenge is changing from a medieval gown to an armor in ten minutes after a carousel! 


Q: What do you like the most about Jousting/Fighting?


A: The opportunity to experience a few glimpses of what it was like for knights and warrior in the medieval ages. Being able to learn from it and share that great experience with the public. There is also that part about making a dream come true, an inspiration to youngsters to believe in themselves and work hard to achieve their goals.



Caroline at full throttle!

Q: Where do you expect to be in five years from now?

A: I have been lucky enough to joust the past three years with my friends horses since my former horse had to retire in 2009. I’m working with a stallion I intend to buy in a near future and train more seriously in dressage. Working with horses is a gift and I want to keep on learning and bringing up my personal goals in this sport that I love.


Q: Have you found acceptance or have there been resistance to you being a jouster?


A: I was lucky enough to start my evolution in a show where the winning knight was a girl! Even if I never made it to that role before we finished presenting this show, the group was always very supportive.


Q: Is there anything you have yet to do in a medieval context that you really want to???


A:I have a new horse to train, a pure breed Canadian stallion. I hope he will enjoy tournaments and reenactment. As I was saying earlier, I would love for him to learn some Haute-École moves and being able to do some dressage display during the events, combined with the joust.


PS Bonus Question: What do you do to support your horseback and Jousting... What sort of job?


A: I work as an administrative assistant. On the clipboard next to my desk are some pictures of my son, horses and great shots from tournaments to keep on remembering how lucky I am to be able to live the dream!

Because she Jousts, never for a minute think she is not a lady.-DS Baker

I would like to think Caroline, for her time, her effort in speaking with me, and making herself and her world available to me. She is a private person and for her willingness to participate in this interview it was a wonderful and delightful gift.-Merci Beaucoup.

For those who would like to see Caroline LaBrie in the lists, I have a You Tube video link for your enjoyment.
This is the Joust-Médiévale internationales de Lachute Held in September of 2012.

http://www.youtube.com/watch?v=9Lqs_CKibiM


All my absolute best!

If you have enjoyed the interview please leave a comment in the space below!

DS Baker. 


Sunday, March 24, 2013

Armour Smith-Jiri' Klepac of the Czech Republic!



(c) J Klepac

This is the first in what I hope will be a series of interview about Armour Smith's and their amazing products.I choose Mr Jiri. Klepac, because I have known of his work for the better part of a decade. Also like most great smiths, he feels that, "Form Follows Function."-Meaning there was a very good reason why European Armour had the look that it did. To answer the unasked statement, hanging in the air,-Yes European Armour was heavily influenced by clothing fashion, but... it had to remain functional. To that end I have chosen Mr. Klepac's work to be the first Armour Smith portrayed. His work, once finished, has a museum quality look to it. With all that being said, I think Mr. Jiri Klepac's own words and his amazing art should speak for themselves.

Maximilian inspired helm, similar to one owned by Otto Heinrich
Etched Close Helm 
(c) J Klepac


Detail of Maximilian style-Otto Heinrich Inspired Helm.

(c) J Klepac

What follows below is my interview. I hope you enjoy reading it, as I did in asking the questions.



Q: When did you decided to make armour.-Meaning what made you want to make or craft medieval and renaissance era armour?

A: I started at the age of 15. My motivation was originally only to have the armour for my reenactment activity ,that I could not afford buying. Quite soon I realized that forming steel is fun on its own.

Q: Did you go to a school of art and design?

A: Not at all. I studied economics. I read a lot of books on the topic, I like watching the art and design pieces of various styles, this is my only education in this field. Making reproductions is much easier when it comes to design invention than making new pieces IMHO.



Hot Raising a XIV Bascinet.
The Shaping Process

The finished Helm
(c) J Klepac




Q:  Did you ever apprentice yourself to another Smith.

A: No, I have seen many armorers working on their videos and many smiths working. Vast majority of all I know is from the books, fabrication marks on original pieces and trial and error school. I can say that Eric Thing influenced me a lot, showing the gas forge and the basic guide for making helmets in one piece in his article. This text finally made me to start one.

Q:  Where specifically do you get your patterns and armour styles from?

A: I am trying to influence the original style of armour by my own creativity as little as possible. I prefer understanding why they did the piece, in the manner they did, rather than going my way from the perspective of a modern armour smith. I build 95 percent of my patterns myself. Patterning is quite easy for me now, after more that 15 years of experience.



Beginning the Hot Raising Process.
(c) J Klepac
The Shaping process.
(c) J Klepac
(c) J Klepac
The finished Grand Bascinet
(c) J Klepac




Q:  How much time is spent in researching each article of armour you create?

A: Depending on the project. On full armour without perfect documentation, it may be more than 50 hours. I start at the moment, what I think I understand the design and have the production process fully set in my head.

Q: Where did you learn metallurgy?

A: Mostly from machinist´s and blacksmiths´ books, also from my friend who does heat treating for living and was keen to try various methods of heat treating on steel for armouring. Last but not least from the priceless book by Alan Williams: The Knight and the Blast Furnace. I still keep learning, there is so much to know.

Q: How close in the types of metal and in the design do you try to adhere to, when creating say a piece from XIV Century?

A: I try to stick on the original design as much as possible, being affected only by client´ s taste and size and level of my ability to reproduce the piece properly. I use C45 steel (AISI 1045) for most of the projects. I plan to give a try to wrought steel one day. This is a challenge!


XIV Century Globose Breastplate based on the famous
Churburg Castle Harness.
(c) J Klepac

XIV Century Tulip Gauntlets
Also inspired by the Churburg Castle Armour.
(c) J Klepac

Q: Has any of your work appeared in or for museums?


A: Several of my pieces are in the exposition at Kuneticka Hora castle in the Czech Republic, one helmet in museum of Usti nad Labem. Several pieces are also in private museum in Italy. Most of the time I work for private clients.

Q: Of the different styles of European Armour you have created, which era or style has been your favorite to create?

A: I love Milanese 15th century pieces. Second most favorite is German style of middle of the 16th century. I like plain field pieces most.-The real fighting stuff.

XVI Century German Inspired Black and White Harness
(c) J Klepac

XVI Century German inspired Black and White Close Helm
(c) J Klepac

XVI Century German inspired Black and White Gauntlet
(c) J Klepac


Q: What has been the single hardest and at the same time, the most rewarding piece or harness you have created thus far. Or another way of saying it might be, What was your master's piece. The one piece of armour that took you from a talented enthusiast to that of a master smith?

A: I guess, It was a grand Bascinet I made some 5 years ago. It was a big project for me. This project required raising of a really big and deep bowl and a lot of research and engineering to fit pieces together at the same time. There is still so much to learn, which gives me the motivation for the next commission.

Here are some more examples of his work:

Front View XVI Century Spanish/Italian Cabasset Helm
(c) J Klepac

Side View XVI Century Spanish/Italian Cabasset.
(c) J Klepac


For those interested, Jiri Klepac has opened his commissioning que for the month of March 2014. It normally takes a year to reserve a spot in his production schedule...

Jiri Klepac's website can be found at:
http://www.armour.cz/

His e-maill address is:
jiri@armour.cz

He also has a short video on YouTube demonstrating  hot raising a Gothic Helm:

http://www.youtube.com/watch?v=4s-Lnu1ukr4 -It should be noted the video is in Czech.

Thank you for reading. Please leave a comment in the space below the article


All my absolute best!

DS Baker.